Over a hundred and fifty letters, 1961-88 in English, Welsh and French, from various correspondents (surnames Jones-W). The letters, some of which include fair copies of published poems, are chiefly concerned with contemporary writing in Wales in both English and Welsh and with the recipient's work as editor of a number of volumes in this field. The correspondents include Glyn Jones (36, and three poems) 1967-86, Gwyn Jones (6) 1967-87, Saunders Lewis (1) 1974, Roland Mathias (17) 1961-86, Leslie Norris (32, and one poem) 1967-86, Eigra Lewis Roberts (2) 1970-3, R. S. Thomas (1) 1975, John Tripp (8) 1968-78, Harri Webb (14) 1967-79, and Kyffin Williams (8) 1970-1.

Notebook, 1905-1907, of T. Gwynn Jones, mostly written in pencil, used by him during his stay in Egypt during the Winter of 1905-6 as a diary and for composing English poetry.
The volume contains diary entries for his voyage to Egypt, 21 October-5 November 1905 (ff. 22 verso, 23-28 rectos only), the beginning of his stay there, in Alexandria, Cairo and Helouan, 6 November-23 December 1905 (ff. 28, 29, 30, 31, 32, 33, 34-37), and the return voyage, 28 April-13 May 1906 (ff. 21 verso-22). Also included are some eighteen poems in English, dated 4 December 1905-6 April 1906, mostly drafts, some crossed through or heavily revised, the majority being love poems to his wife (ff. 2 verso-5, 6, 7-17, 18-19, 20, 21). Some are published: 'The Ferry' (f. 7 recto-verso) in David Jenkins, Thomas Gwynn Jones: Cofiant (Denbigh, 1973), p. 169, 'I saw thee' (ff. 8 verso-9) in ibid., p. 109, and 'A Memory' (f. 10 verso) in the Western Mail, 30 September 1920, p. 4; while 'The Rising Sun' [published as 'Come my love'] (f. 11) and 'I will come to thee' (f. 13 verso) were set to music by Robert Bryan (both scores published 1921). Three further verses, October 1905 and February 1907, are in Welsh (ff. 23 verso-24, 37 verso). Eight pages are written in shorthand (ff. 17 verso, 24 verso-31 verso, versos only), these remain undeciphered by the cataloguer. Jones's travel book Y Mor Canoldir a'r Aifft (Caernarfon, 1912), which relates incidents recorded in the diary, such as the Coptic wedding (ff. 34-35 verso), is based mostly on his letters to his wife rather than on the present manuscript.

Holograph and typescript copies and cuttings of poetry by Idris Davies, among them being press and proof copies of The Angry Summer (London, 1943) and a press copy of Tonypandy and Other Poems (London, 1945) (vol. I); a typescript entitled 'The Valleys of My Fathers', with a revised copy entitled 'Gwalia My Song' (vol. II); and drafts of some 200 other poems.

Notebook of Berta Ruck, March-June 1931, containing journal entries including an account of a visit to Oxford, 16 May 1931 (ff. 28 verso-30), and notes for fiction and other work. Twenty-nine letters, postcards and telegrams, mostly from family and friends, February-June 1931, [December 1935], cuttings, photographs and ephemera have been pasted in.
The correspondents include Oliver Onions, April-May 1931 (ff. 34, 36 verso, 52), Robin Darwin, 20 March 1931 (f. 2 verso), Marda Vanne, 25 May 1931 (f. 8 verso), Alec Waugh, April 1931 (ff. 16 verso-17, 30 verso), and Doris Langley Moore, 12 May 1931 (f. 28); there are also four copy letters from Ruck to her father and others, March-April 1931, [December 1935] (ff. 1 recto-verso, 4-5, 14-15 verso, 38a-b). The volume also contains ink sketches (ff. 27, 30, 42, 44) and verses (ff. 20 verso, 32-33, 36, 40 verso, 44, 46) by Ruck. There are references to Doris Langley Moore's forthcoming biography of E. Nesbit (London, 1933) (ff. 25 verso, 28) and to Gwen Ffrangcon Davies (f. 40 verso). Besides a single copy letter there is no material dating from 1935 onwards (as alluded to on the front cover), presumably having being excised.

Notebook of Berta Ruck, July-August 1931, containing journal entries and notes on her visit to Vienna and Carinthia, Austria. Four letters, March 1931-September 1932 (ff. 10 verso, 18, 28, inside back cover), photographs and postcards, playbills and other ephemera have been pasted in.
The volume contains a photograph of Ruck (f. 15) and verse by her (ff. 1 verso, 4 verso). There are fragments of text on the stubs of ff. 13-14, 16-17, 21-28 and on the unfoliated stubs between ff. 17 and 18.

Autograph and typescript drafts and fair copies by Dannie Abse of the poems 'In the Theatre' (see Funland and Other Poems, 1973), 'Snake' (see Way Out in the Centre, 1981) and 'The Test' (see Collected Poems, 1977) with a printed version of 'Lunchtime', 1974; and drafts and fragments of autobiographical notes and essays, including 'Princeton Journal', 1973-1974, 'The Crowning of Kid Brother', c. 1977, and 'Sorry, Miss Crouch', all published in A Strong Dose of Myself (1983).

Papers, 1966-1994, comprising letters and cards to the playwright Dedwydd Jones, mostly from actors, playwrights and other prominent theatrical and literary figures.

Manuscript and typescript drafts, [c. 1946]-1956, of poems by Margiad Evans, including penultimate and final drafts of her first published volume of poetry, Poems from Obscurity (London, 1947). Drafts of other published poems, [1953]-[1956], include eleven sonnets published in A Candle Ahead (London, 1956), pp. 32-38 (ff. 71-81), 'The Sufferer' (f. 85; marked 'published in Saskatchewan'), and 'In memory of a little god' (ff. 98-105). Unpublished poems include 'Yesterday and Today' and 'Poem' (ff. 87-89), and 'Cassandra desolated' (ff. 91-97).

Journal, September 1935-October 1939, of Margiad Evans, including an account of the death of her father in 1935 and of her visit to Iceland in 1936, comments on her relationships with family and friends, draft poems and the first draft of her 'Little Journal of being Alone' (ff. 138-148), later included in Autobiography (London, 1943).

A collection of holograph poems, 1953-1956, by Peggy Eileen Whistler ('Margiad Evans'), including 'The Country Churchyard' (1955) (f. 3), 'God's Love' (1953) (f. 4), 'Autumn' ([1956]) (f. 5), 'Bather' ([1953]) (f. 7), 'The Old Name' ([1953]) (f. 8), and 'Cherry Orchard in Bloom' (f. 9).
Other fragments, also in Whistler's hand, include a page of an original play 'Dear Desdemona' (f. 10) [cf. NLW MS 23373E & NLW, Margiad Evans MS 29], and an excerpt from the second part of her unfinished 'Widower's Tale' (ff. 11-14).

Nine letters, 1934-[1942], from Brenda Chamberlain, writing from Bangor and Tŷ'r Mynydd, to her husband John Petts (ff. 1-18). The correspondence reflects the increasing distance between husband and wife, and includes references to Hugh MacDiarmid (f. 14), local War experiences (f. 15), and a commission for a National Eisteddfod certificate (f. 16).
Also included is a holograph song, 1942, presented by Sydney Burkinshaw to Chamberlain (ff. 19-20), and a printed poem by Chamberlain, entitled 'Christmas Eve' (ff. 21-22).

A sample copy, [1929], of part of a projected printed book by Ezra Pound, to be called 'The Complete Works of Guido Cavalcanti', containing also four autograph poems and a prose fragment by Dylan Thomas, [1936]-[early 1940s], and two typescript poems by Vernon Watkins, [c. 1939]. Pound's book was intended for publication in 1929 but was abandoned, with only the first 56 pages printed, when the Aquila Press went bankrupt. The present volume appears to be a sample copy, of which two similar ones are recorded (see Donald Gallup, Ezra Pound: A Bibliography (Charlottesville, 1983), p. 153), consisting of the first two gatherings only (ff. 2-9) and filled out with blank leaves (ff. 10-74). The original Aquila Press fragments were later incorporated into the composite work Guido Cavalcanti Rime, ed. by Ezra Pound (Genoa, [1932]).
The Dylan Thomas poems are 'Then was my neophyte', [1936] (f. 11) (published in Twenty-five Poems (London, 1936), pp. 40-41), 'We lying by seasand', [1937x1939] (f. 74 verso) (first published in Poetry (Chicago), 49.4 (January 1937), 183, and collected in The Map of Love (London, 1939), p. 8), 'Paper and sticks', [early 1940s] (tipped in on f. 12) (first published in Seven, 6 (Autumn 1939), 6, and collected in Deaths and Entrances (London, 1946), p. 23), and 'Once below a time', [early 1940s] (tipped in on ff. 13-14) (first published in Life and Letters Today, 24.31 (March 1940), 274-275; see Collected Poems 1934-1952 (London, [1952]), pp. 132-133); the prose fragment (tipped in on f. 15) is the end of 'One Warm Saturday', [1938], the last story in Portrait of the Artist as a Young Dog (London, 1940), pp. 253-254. The two Vernon Watkins poems, 'The windows', 1939, and 'A bronze head', [c. 1939], are apparently unpublished (tipped in on ff. 16-17). A dried leaf found loose within the volume has been placed in an archival sleeve.

Letters from John Cowper Powys to James Hanley (3), 1929-1930; John Wilstach (1), 1932; and Charlotte Miller (3), 1934-1935; together with a poem by Charlotte Miller addressed to John Cowper Powys.

An autograph fair copy, dated 14 August 1920, of the poem 'Lamorna Cove' by W. H. Davies, used as the printer's copy for the Nation. It was first published in the Nation, 21 August 1920, p. 642, and collected in W. H. Davies, The Hour of Magic (London, 1922), p. 12.

A notebook, originally perhaps used by Augustus John as a sketch-book, but containing poems by Arthur Symons, composed during his period of madness and written down, c. 1909, by his amanuensis, Agnes Tobin.

Twenty-six letters and cards, 1961-1969, from Brenda Chamberlain to Alan Clodd of Enitharmon Press, relating mainly to the publication of her Poems with Drawings (1969) and Alun Lewis and the Making of the Caseg Broadsheets (1969). Also included are a few sketches, poems and photographs, 1936-1969, presented by Chamberlain to Clodd.

Typescript drafts, [1941x1942], of six poems by Brenda Chamberlain, sent by her to Alun Lewis. Two of the poems, 'Would it not move to pity ...' and 'Dead Ponies', were published in The Dublin Magazine, 16 (July-September 1941), pp. 7-10; the others are apparently unpublished.

Over a hundred letters, ?1908-1961, to Augustus John from various correspondents (surnames G-I), including Oliver St John Gogarty (10, and two poems) 1918-1952, Nina Hammett (3) [1930]-1956, Philip Heseltine, Peter Warlock (1) 1930, and J. D. Innes (3) ?1910-1913.

Autograph and typescript drafts, [c. 1910s]-1961, of autobiographical writings by Augustus John included in the posthumous volume Finishing Touches (London, 1964) (see also NLW MS 21570E), together with rejected portions of the text (ff. 56-9). Some sections (ff. 60-75) had been submitted to The Sunday Times for publication, 1952-1958 (see MS 22775C, ff. 89-98). Also included are draft recollections by Augustus John of Ronald Fairbank (ff. 76-81), and various drafts of prose and light verse.

Manuscript and printed poems by R. J. Derfel, and other miscellaneous items, 1858-1913, including a photograph of him, 1902.