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Papers relating to the television production of Patagonia - Enactment/Autopsy, including draft and master copies of the production storyboard and script, with a proposal, some background notes and a summary, a production script, preparatory papers, research material, scenographic sketches, and master and final copies of an outline proposal for the television commission of Patagonia; together with correspondence and papers relating to the development, funding and commissioning of the television production.

Correspondence and papers relating to the Y Pen Bas/Y Pen Dwfn production including research material and notes; devising notes; draft and final copies of the production storyboard and script; a work timetable; copies of production texts and scripts; draft copies of production scenarios and [scores]; copies of images and graphics; press reports; scenographic designs; design and final copies of the production booklet; a scenes list; venue plans; draft, design, master and final copies of production publications; slides and photographs; production flyers; together with correspondence and papers relating to the development, administration, arrangement and filming of the production.

Papers relating to the Pandaemonium production, including devising notes, a scenario, production texts, research material, and other production notes; together with Lis Hughes Jones’ workbook.

Papers and photographs relating to the EXX-1 production comprising mainly stage directions, prospectus, scenographic designs, reviews, and a soundtrack information leaflet; together with a copy of Clifford McLucas’ visual diary artwork which was based on the EXX-1 production and a file of the production manager, Giles Parbery's papers.

Correspondence, papers and images relating to the Pax project, including the Los Angeles production, the preparatory etudes and the productions in Cardiff, Glasgow and Aberystwyth, comprising items such as notes, scenographic sketches, research material, scenarios and scores, prospectuses, booklets, publicity material, reviews and previews.

Papers and photographs relating to the Gwynt, Glaw, Glo a Defaid production, including a notebook, an information leaflet, previews and reviews, and design and final copies of the production poster.

Photographs and papers relating to the Patagonia production, including photographs taken during visits by some members of Brith Gof to Patagonia in 1986, of Tomi and Eddie Davies at their home in Patagonia and performance photographs; devising notes and research material; publicity material; scenographic plans and designs; venue information; previews and reviews; and draft copies of pages from the production [prospectus]; together with correspondence and papers relating to the arrangement of the performance of Patagonia at the various venues, the correspondence and papers of the production manager, Giles Parbery and Lis Hughes Jones' workfile.

Photographs and papers relating to the performance of Ar y Traeth/Patagonia Remics at the National Eisteddfod, including suggestions for the production and papers relating to the arrangement and promotion of the production; together with papers of the production manager Giles Parbery.

Correspondence, photographs and papers reating to the Haearn production at the Old British Coal Works, Tredegar and to possible re-stagings of the production, including publicity papers, scenographic papers, administrative and financial papers, together with details of performance structures, storyboards, scores, copies of production texts and scripts, and devising notes and papers.

Handwritten notes that appear to be notes on actions and also texts and ideas.

Correspondence and papers relating to various lectures, presentations, conferences and seminars attended by or given by members of Brith Gof, including copies of lectures and presentations, regarding subjects such as site-specific theatre, Brith Gof’s work and productions, theatre and archaeology, experimental theatre, theatre and media work, and theatre practice and theory in Wales; together with slides possibly for use in a lecture.

Articles, photographs and publicity material relating to other theatrical companies.

Correspondence and papers relating to the Estronwyr/Work in Progress (Strangers) production with La Fura del Baus, including devising notes and sketches, production texts, a project information document, a funding application, photographs and photocopies of photographs, La Fura Del Baus company publications, publicity material, performance organising principles, and research material.

Correspondence and papers relating to the Prydain production including devising notes and papers, scenographic designs, plans of the Tramway, Glasgow and Zap Club, Brighton, notes on production development, research material, production texts, publicity material, previews and reviews, performance photographs, administrative papers and performance notes.

Papers relating to a number of Mike Pearson's productions and also his pedagogical work including slides and photographs, invitations, reviews, performance and action directions, various production notes, research material, information leaflets, production booklets and leaflets, [workshop notes], and publicity material; together with organisational and administrative correspondence and papers.

Papers relating to the A Oes Heddwch production including photographs, photocopies of video stills and a cassette cover.

Lis Hughes Jones' papers relating to productions performed during 1981, including Branwen, Rhiannon, Rhosys Cochion and Gaeafdaith comprising production scores for Branwen and Rhosys Cochion, Branwen work notes, general production notes and other related documents and production texts for Rhiannon and Gaeafdaith.

Lis Hughes Jones' papers relating to the Pedole Arian, Rhydcymerau and Lleuad, Lleuad/Luna, Luna (Farfa) productions including Lis Hughes Jones’ workbook, comprising [research] sources, production texts, and general production notes, including songs, scenarios, ideas and notes on actions.

Papers relating to the Boris production, including copies of the John Berger texts, a Welsh script, devising notes and notes regarding general arrangements.

Correspondence, papers and photographs relating to three productions of the Disasters of War project, including Part 3/Besatt, Part 8/Y Gadair Ddu and Part 10, comprising reviews, work notes, research material, production information, publicity material, and design and production notes; together with papers relating to the project in general.