Showing 45 results

Llythyrau a chardiau at Menna Elfyn oddi wrth y bardd, awdur, dramodydd a darlithydd Gillian Clarke.

Deunydd yn ymwneud â chyfieithu gwaith barddonol Menna Elfyn i ystod eang o ieithoedd, gan gynnwys Tsieinëeg, Lithwaneg, Swedeg, Wcreineg, Groeg, Hindi a Slofeneg. Ymysg y cyfieithwyr i'r Saesneg mae Robert Minhinnick, R. S. Thomas, Gwyneth Lewis, Tony Conran, Nigel Jenkins, Joseph Clancy, Elin ap Hywel a Gillian Clarke. Ynghyd â gohebiaeth yn ymdrin â'r gwaith cyfieithu rhwng Menna Elfyn, Nigel Jenkins, Gillian Clarke, Tony Conran a Joseph Clancy.

Letters to Sam Adams from Robert Minhinnick (4), R.S. Thomas (2) and Gillian Clarke (2) concerning poems to be published in Poetry Wales and the Anglo-Welsh Review, as well as social matters, including copies of poems by Gillian Clarke, together with a letter from Anthony Conran concerning a proposed anthology to be edited by Gwilym Rees Hughes.

File comprises research notes for the television series 'A Welsh life', based around interviews with distinguished Welsh people along with correspondence with the subjects of the programme and within the production team. Subjects of the programme include; Alan Protheroe, Lord Merlyn Rees, Tony Lewis, Gillian Clarke, George Charles Henry Victor Paget, 7th Marquess of Anglesey, the 7th Marquis of Anglesey, Meredith Edwards, Dannie Abse, Baroness white of Rhymney, Sir David Walters, Lord Cudlipp and Wilfred Wooler.

Deunydd yn ymwneud â chyfieithiadau gan Menna Elfyn o'i gwaith barddonol ei hun ac o waith beirdd eraill, gan gynnwys Gillian Clarke, John Barnie, y bardd Tsieineaidd Shi Tao a'r bardd Pwnjabaidd Mazhar Tirmazi.

The file contains various papers, [1950]-[1990] (with gaps), relating to The Anglo-Welsh Review, including accounts, 1969-1974; notes regarding the contents of some numbers of the journal, [1966-1973]; typescript copies of the article, 'The young historian : some letters from Alun Lewis', [1970x1990]; a tribute by Roland Mathias to Gillian Clarke, 1985, on her retirement as editor of the magazine; and the article 'Roland Mathias looks back over the twenty six years of The Anglo Welsh Review', published in Llais Llyfrau, (1976); copies of the article by Raymond Garlick 'On the growing of Dock Leaves', Planet 9 (1971/1972), and interview with Raymond Garlick, also published in Planet 62 (1987); and reprint of the article by Kyffin Williams, 'An artist in Welsh Patagonia', from The Anglo-Welsh Review, no. 42 (1970).

Typescript copies of short stories and poems by Gloria Evans Davies submitted to the New Welsh Review, together with covering letters, 1991-1992. Also included is a letter, 1991, from Gillian Clarke.

Papers, 1993-1994, relating to the Welsh Academy’s ‘Poets on Poets: Taliesin and Aneirin’ event at Coleg Harlech, 1994, featuring Greg Hill, Gillian Clarke, Chris Meredith, and Tony Conran. The file includes letters (1993-1994), from Greg Hill (unsigned) (1), Kevin Thomas (1), Gillian Clarke (1), and Tony Conran (1); a poster advertising the event (1994); typescript copies of poems intended to be featured ([1994]), including a verse from Aneirin’s 'Gododdin', and the poems ‘Aneirin Speaks’ and ‘Heroes’, by Raymond Garlick, and ‘Over the Top’, ‘Elegy for the Welsh Dead in the Falkland Islands, 1982’, and ‘Becca at the Gate’ by Greg Hill; and a copy of the booklet ‘Ancestors: Translations from Early Welsh Verse & Variations on a Theme’ by Greg Hill ([?1994]).

Correspondence, 1981-2000, mainly relating to reviews and articles intended for publication in the Anglo-Welsh Review, and to the Welsh Arts Council’s withdrawal of funding in 1987 and subsequent closure of the publication in 1988. The file includes letters to Greg Hill and others from Arthur Giardelli (3); Bim Giardelli (1); Glyn Jones (1); Anne Stevenson (3); Tony Conran (2); Jeremy Hooker (9); Desmond Slay (1); Meic Stephens (4); Freda Walters (3); Tony Curtis (1); John Davies (1); Raymond Garlick (2); Peter Dale (1); David Annwn (1); Ann Hallam (1); Tony Bianchi (1); Gillian Clarke (1); and Steve Griffiths (1). Also enclosed are cuttings of obituaries for the writer and historian Gwyn Jones, written by Desmond Slay and Meic Stephens respectively (1999); and a copy of a cutting from the Western Mail, reporting on the closure of the Anglo-Welsh Review and the launch of the New Welsh Review (1987).

Includes letters from Joan Rix Tebbutt (2), Robin Stemp (9), Robert W. Steel, Anna Haycraft (2), Roger de Grey (2), Bernard Dunstan (2), Hywel Harries, Henry Paget (Marquess of Anglesey, 5), John Ormond, Magnus Magnusson, John Coombes, Jack Raymond Jones (2), D. Huw Owen, Miriam Hughes, Julian Halsby, Mary Anne Stevens, Moelwyn Merchant, Gillian Clarke, David Dykes, and David Carpanini.

Includes letters from Gerard Casey (2), Reginald Caton (28), Barry Cole (2), Brenda Chamberlain (3), Joseph Clancy (2), Gillian Clarke (10), Gladys Mary Coles (2), Michael J. Collins (2), Jack Common (2), Don Congdon (8), Anthony Conran (7), B. L. Coombes (2), Herbert W. Corby (5), and Tony Curtis (25).

Letters to Gwyneth Lewis from publishers, writers, academics, friends, journals (including The Poetry Society, Planet, Parnassus: Poetry in Review, The Kenyon Review, The New Republic, and Poetry Wales), agents and the Arts Council of Wales concerning the publication of her volume of poetry entitled Parables and Faxes, and in particular publicity and reviews, as well as the publication of other poems by Gwyneth Lewis, and also literary prizes other literary business, as well as personal and social matters; together with typescript, photocopied and published press reviews of Parables and Faxes, related publicity material including lists of contacts for reviews and the launch, copies of other published work by Gwyneth Lewis and interviews with her, material from Bloodaxe Books (including guidance on house style, invoices for books ordered, and catalogues), lists of poems published by Gwyneth Lewis, and related notes and press cuttings.

Photocopied and published press reviews of Gwyneth Lewis's volume of poetry entitled Zero Gravity, with related publicity material including lists of contacts for reviews and the launch, copies of published poems by other poets, and copies and offprints of published articles about female poets and Welsh poets; correspondence between Gwyneth Lewis, publishers, agents, friends and the BBC concerning Zero Gravity (originally entitled Coconut Postcards), and in particular publication, the poems, proofs, contractual matters, publicity, distribution, royalties, reviews, broadcasts and performances, as well as other literary and personal business; together with a typescript transcript of a radio interview with Les Murray about Gwyneth Lewis’s work, and a contract and a catalogue from Bloodaxe Books; and related notes, photographs and press cuttings.

Letters to Gwyneth Lewis from family, friends, literary associates, publishers and agents concerning personal, social, literary and academic matters, especially her published work including Zero Gravity, Parables and Faxes, Y Llofrudd Iaith and Sunbathing in the Rain, and the issues raised by them, notably depression and language, and also a proposed BBC documentary about Gwyneth Lewis, with typescript copies of poems from Zero Gravity (under its working title Coconut Postcards) including ‘A Goan honeymoon’ and ‘Red kites at Tregaron’, as well as ‘The Big Ask’ (dedicated and sent to the Wales rugby coach Graham Henry), together with the script of a BBC broadcast featuring poetry by Gwyneth Lewis (from Zero Gravity) and others, a draft typescript copy of a piece of prose sent by Zadie Smith, a typescript copy of an article on translation by Jenny Joseph, booklets on a residential contemporary writing centre in France and a collection of watercolours by Rose McKinley, and related press cuttings, photographs, flyers, certificates and event programmes.

Letters and cards to Gwyneth Lewis from friends, family, agents, writers and other literary associates concerning personal, social, family, literary and artistic matters, including a manuscript poem ('A birthday') by Gillian Clarke and an invitation to attend a reception for the arts at Windsor Castle, with related photographs, press cuttings and ephemera.

Letters and cards to Gwyneth Lewis from friends, family, agents, writers and colleagues concerning personal, social, family and literary matters, including a typescript copy of a poem ('Flood') by Gillian Clarke, and also cards from Gwyneth Lewis to Leighton Denver Davies and cards to him from relatives, with related press cuttings..

Letters and cards to Gwyneth Lewis from friends, family, writers and universities concerning personal, social, family, literary, artistic, medical and academic matters, including her published work and her fellowships at Harvard and Girton College, Cambridge, as well as projects in which she took part, together with a proof copy; also included are cards from Gwyneth Lewis to Leighton Denver Davies and a letter to her parents from friends concerning her ordination into Gorsedd y Beirdd, with related photographs.

Correspondence comprising letters, emails and cards sent between Gwyneth Lewis, friends, publishers, agents, literary associates, members of the public, academics, colleges, archival institutions, family, neighbours, commercial companies, local councils and road safety enforcement bodies concerning literary, professional, social, personal and domestic matters including the publication and performance of her work in a variety of formats, reaction to her work (notably Two in a Boat, Sunbathing in the Rain and A Hospital Odyssey), a job reference for a fellowship at Stanford written for her by the editor of Poetry Review, her relations with agents, her research, the problems of translation, a letter composed by her to John Milton (1608-1674), the registration of four of her published works under public lending right, the transfer of her papers to an archive, the sale of an antique by her to Girton College, Cambridge, literary prizes, and the work of other poets, as well as a letter to Gwyneth Lewis’s parents concerning a family friend, together with related offprints, photocopies and forms. The paper on which some of the emails are printed comprises documents relating to insurance for Gwyneth Lewis’s yacht ‘Jameeleh’.

Letters, cards and email correspondence between Gwyneth Lewis, friends, publishers, agents, colleagues, academics, family, universities, government agencies, funding bodies, event organisers, artists and readers of her work concerning literary, social, personal and broadcasting matters, including the creation, publication, performance, translation, sales and impact of her literary work, her research, her literary collaborations and appearances, depression and illness, her inscription for the Wales Millennium Centre, her tributes to other writers, family news, fellowships at Girton College, Cambridge, and the Radcliffe Institute for Advanced Study at Harvard, and the potential purchase of her archival papers, together with draft letters from Gwyneth Lewis, a typescript draft of the introduction to her verbal presentation on ‘The Health of Poetry’ and manuscript notes and memoranda relating to her work, and manuscript notes by her on typescript poems by George Szirtes, as well as related press cuttings, forms, booklets and event schedules, and also email printouts of family photographs, a short typescript essay by an unidentified author on Welsh attitudes to Ireland, a funeral address relating to her uncle in the United States, and a draft letter from Leighton Denver Davies to the Mountain Ash Golf Club. The paper on which some of the emails are printed comprises: letters and documents concerning listing agreements, insurance and radio licensing, 2001-2007, relating to Gwyneth Lewis’s yacht ‘Jameeleh’; a copy of parts of her CV; printouts of parts of 'A Hospital Odyssey'; copies of work sent to her by Tom Bullough and C. K. Williams; a proof copy of part of Byron Rogers, The man who went into the West: the life of R.S. Thomas (Aurum : London, 2007); a completed form relating to a submission for the Arts and Business Cymru Awards on behalf of a youth arts project; and other literary miscellanea, as well as part of a typescript report on the use of the Welsh language, reports and statistics concerning the media in Wales, and an equipment list relating to a trip to Lundy.

Printed material relating to UK poetry festivals and poetry readings attended by John Barnie, 1996-2016, including the Wales in London festival (1996); St Davids Day Poetry Festival, Harlech (1997); Aberystwyth International Poetry Festival (1998); University of Birmingham Centre of West African Studies poetry reading (1999); ‘R.S. Thomas: A Celebration’ poetry reading (2001); the book launch for John Barnie's work 'Ice' (2001); the Cross Fertilisations conference (2004); the Darwin Festival, Cambridge (2009); Wenlock Poetry Festival (2010); Talgarth Festival of the Black Mountains (2010); and Oxford Poets in Residence (2016). The file also contains notes in the hand of John Barnie ([c.2000] x [c.2010]); an ink sketch of John Barnie, artist unknown (2009); programme notes for a performance entitled 'Witch' (2012); and four photographs, of John Barnie, Gillian Clarke, Robert Minhinnick, Geoffrey Hill, Jason Walford Davies and Roy Birch, Aberystwyth (2000).