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Screenplay, with overview and detailed sequence notes, titled Iris' Story, the narrative based on the life of Iris Waites, mother of singer Iris Williams; together with critical evaluation and projected expenses.

Feature film outline by Adam Kossoff titled Jacob In The Mist, together with covering letter.

Overview and brief details relating to proposed production by Catherine Johnson titled The Jamaican Tailor, together with author letter.

Administration record sheet relating to film script by Mark Skeet and Matthew Faulk titled Jenufa. No script or other material attached.

Two copies of screenplay by John Peacock titled The Jenny Wagon.

Screenplay by Ruth Carter titled Le Jeu Du Roi, based on the novel of the same name by Jean Raspail, together with English version titled Letters From Patagonia and Welsh translation by W. O. Roberts titled Brenin Y Wladfa; also including post-production schedule and contacts list. Some folios annotated.

Two copies of film outline by Stephen Bayly titled Johnny Onions, together with letter of response from Ffilm Cymru.

Television screenplay by Christopher Beddows titled Johnny's No Good, together with plot synopsis, character notes, author resumé and covering letter.

Draft screenplay by Gwenlyn Parry and Ken Howard titled I Fro Breuddwydion/A Penny For Your Dreams (previous title Dyn Y Llun).

Screenplay, with brief overview, by William Ingram, titled Knock, Knock, Who's There?, together with covering letter.

Screenplay by Stephen Cookson titled Immortal Hours, together with detailed plot synopsis and covering letter.

Detailed plot synopsis of script by David Evans titled An Indescribable Pleasure, translated from the original script of Ignasi P. Ferré, Joan Marimón and Lluís Arcarazo titled Un Plaer Indescriptible; together with covering letter, notes on the scriptwriters and producer and material relating to the 1991 San Sebastian Film Festival.

Screenplay by Morten Arnfred, Jan Stage and Jørn O. Jensen titled The Infiltrator, based on a story by Noel Fox; together with plot synopsis, covering letter and letter of response.

Radio play script, with plot synopsis, by Tudor Lloyd titled Inheritance.

Draft screenplay, with plot synopsis, by Eric Styles and Allan Niblo titled Ins And Outs.

Critical evaluation relating to screenplay proposal by Ted Whitehead titled In The Dark.

Several copies of draft screenplay by Frank Vickery titled In The Mood; together with detailed plot synopses, character notes, critical evaluation/suggested amendments, covering letters, draft deal memorandum, rough manuscript notes and other related material.

Further material associated with Ffilm Cymru, which includes proposals for film/television adaptations, casting and funding applications and employment enquiries; contracts and agreements; accounts and invoices; card indexes; and correspondence.

Film and television proposals, including the proposed adaptation of published books; casting applications from prospective actors, enclosing photos and resumés; employment enquiries and funding applications from students; employment applications/promotional literature from crew personnel, props providers, catering companies, etc; report on Hay Festival Screenwriting Masterclass of 1992; and correspondence.

Letters, 1966-1967, 1975, to the author and playwright Emlyn Williams from David Smith, brother-in-law of infamous Moors murderer Myra Hindley. Williams spent time with David Smith and his wife Maureen in order to gain insight into the lives of Myra Hindley and her partner Ian Brady for his 1967 novel Beyond Belief: A Chronicle of Murder and its Detection, a semi-fictionalised account of the criminal activities of Brady and Hindley. The novel was published a year after Brady and Hindley were sentenced to life imprisonment for the murder of five children aged between ten and seventeen in and around Manchester between July 1963 and October 1965. David Smith, who witnessed at least one of the murders, was the chief prosecution witness at Brady and Hindley's trial.