Notebooks containing copies of published poems, ballads, songs and prose works in English, French and Italian, translations from classical and continental authors, and original compositions, compiled mainly by Frances Morres Gore in her own hand, with some contributions by others and a small number of printed items, 1809-1832. The authors most commonly represented here are Lord Byron, Mme de Stael, Thomas ('Anacreon') Moore, Mary Robinson, Robert Southey and Edward Young. Others include Robert Burns, Thomas Campbell, William Cowper, Richard Cumberland, Thomas Dibdin, Mme de Genlis, Oliver Goldsmith, Reginald Heber, Horace, Leigh Hunt, John Langhorne, C[harles] L[loyd]?, John Milton, Mary Russell Mitford, James Montgomery, Cornelius Neale, Sydney Owenson, Petrarch, Alexander Pope, Charles Phillips, Sir Walter Scott, Percy Shelley, James Smith, Mary Tighe, Voltaire and Richard West, as well as Frances Morres Gore and her son William Gore. The content of the volumes is similar throughout, with the exception of the last. Many of the works relate to themes of romance, friendship, women, mortality, moralistic and philosophical platitudes, mythology, the natural world and the Irish landscape. Other compositions concern historical figures, the foibles of contemporary society, antipathy to the Georgian monarchy, Hanoverian government policies, and the Napoleonic Wars. Mrs Gore 's interest in the theatre is evidenced by a significant number of items referring to actors and playwrights, George Colman, William Conway, Robert Elliston, David Garrick, the Kemble family, Henrietta O'Neill, Alexander Fisher Palmer, Shakespeare, R.B. Sheridan and Sarah Siddons in performances at various English and Irish theatres between 1808 and 1824.

A scrapbook containing cuttings from newspapers and journals, advertisements, prints, facsimiles of autographs, caricatures, illustrations (including portraits), etc. relating mainly to the work of the theatre, particularly in England, during the latter half of the 18th century and the first half of the 19th century.

Letters and papers from W. J. Macqueen-Pope (1888-1960), commonly known as "Popie". He was a theatre historian, publicist, biographer and close friend of Ivor Novello (David Ivor Davies, 1893–1951).
Many of these papers were referenced by Macqueen-Pope when writing the Ivor Novello biography 'Ivor: The Story of an Achievement'.
The papers include a small number of original letters from Novello, reminiscences and correspondence from Novello's friends and associates including his librettist Christopher Hassall, business manager Fred Allen, novelist G. B. Stern, actresses Constance Colm, Mary Ellis, Olive Gilbert, Zena Dare, Jean Webster-Brough, actors Lyn Harding, Barry Jones, Henry Kendall, Keneth Kent, Philip Desborough, costume designer Gilbert Clark, aristocratic friends Lord Cromer and Lady Juliet Duff.
The main subjects are writings by Macqueen-Pope relating to Novello (including drafts from the biography); material relating to Novello's will; Macqueen-Pope’s role in organising Ivor Novello’s funeral (including funeral addresses by Hassall, Macqueen-Pope and Rev. E. Gwyn Evans); a memorial service; the placing of his memorial bust (by Clemence Dane) at the Theatre Royal, Drury Lane; Macqueen-Pope's involvement in the BBC memorial radio broadcast; an apparently unsuccessful effort to found an Ivor Novello Fellowship; and letters from Novello fans.
An earlier programme of "I Lived With You”, has been added to the papers.